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Farpoint's Days Of Future – And The PastInterview by Duncan N GlendaySouth Carolina's Farpoint is a third wave progressive rock outfit in the modern idiom of a Salem Hill or a Neal Morse. But they've always had an eye firmly locked on the genre's history, and you'll hear more than a hint of Yes, The Strawbs and Jethro Tull in their music. In a conversation with various former and present band members, Duncan Glenday discussed the band's past – and why Farpoint is busy reinventing itself. After eight years of growing recognition in prog arenas – and in the musical activities of America's South, the band tells me they "took a break in late 2005 for the members to reassess their future goals." And the result of their self-analysis? Farpoint was disbanded in mid-December of that year and there would be no more of Clark's sincere-gritty vocals traded with Dana's elegant soprano. No more Mike Avins laying down blistering solos with his Strat. Rick Walker's new drum kit would no longer blend with Frank Tyson's bass lines to provide the complex but rock-solid foundation for the music that had built a small but dedicated fanbase. And that was a great pity because I described the band's latest CD From Dreaming To Dreaming as "pure progressive rock in every sense of the word, with all the melody, musical complexity and high-order musicianship entailed in that genre. More than that – it is also a wonderfully rewarding listen."
"We really want to reach a whole new level musically and it's going to take some serious dedication from each member to really do their own work and treat each performance as a chance to shoot for perfection," explained Walker with his characteristic intensity, and he adds that with the new band members, "we're striving to keep our sound consistent ... I think the changes will result in a high level of performance in the studio and on the stage. I think we're going to really impress our current fans with the direction we're taking and the level of musicianship we're working toward."
Live gigs have been booked, capped by a booking to play Georgia's premier progressive rock event, the Rogue Independent Music Festival – or Roguefest - on July 8, 2006. And to keep the musical muscles flexed, the band is excited about its recent release of a Moody Blues tribute called Higher And Higher, recently released by Mellow Records. "It's a 3 disc set with over 30 covers of Moodies songs," explains Jarvis. "Quite a cool compilation!"  Rick Walker Jarvis and Walker speak favorably of the two key members of the previous incarnation of Farpoint and wanted to "thank Clark Boone and Dana Oxendine Edmunds for their years of commitment to the band." In a separate conversation with Boone, I learned that he and another artist have launched a project called Verchiel Reality. It's pronounced something like "virtual reality" but "We're both Leo's," explains Boone. "When Christianity came to Europe, they changed the signs of the zodiac to names of angels. Leo was changed to Verchiel instead of the lion or Leo. I thought Verchiel was cool, then later the reality of it hit me. Pardon the pun!"  The New Farpoint Line-Up Recording is underway in Boone's project as well – so watch this space for a flurry of new activity from the new incarnation of Farpoint, and from its new spinoff. Discography
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 © Copyright 1999, 2006 ProgressiveWorld.net/Duncan N Glenday |
So it was with interest that I learned that Jarvis and Walker – in their words – elected to "continue their musical partnership, uncertain as to the final direction it would take, but never ruling out the possibility of reforming Farpoint if the opportunity arose and conditions were right." Well apparently the conditions were just-so because Farpoint is now officially back. The band has re-formed around the Jarvis/Walker partnership and songwriting and recording are underway. In February, new vocalist Dean Hallal and vocalis/flautist Jennifer Meeks were brought on for recording purposes, and Farpoint guitarist Mike Avins and former bass man Frank Tyson expressed interest in playing on the CD – tentatively called Cold Star Quiet Star.
Cover art will again be supplied by David Frain – whose excellent work on From Dreaming To Dreaming drew critical acclaim. In a separate conversation, Frain told me "As a kid, I used to buy Yes albums primarily for the cover art. I'd just stare at Dean's work and think 'That's for me. Ironic thing," he laughs, "Farpoint could have Roger Dean illustrating their covers. They could have the keys to the topographic prog scene with a Dean cover. So I consider myself absolutely honored ... to have the artistic association that we have." I've been lucky enough to see the early drafts of an upcoming video project David is working on, which features Farpoint's music - among others. "I was delightfully floored by 'Lux Universum' from From Dreaming To Dreaming - to the point where I had to transcribe my visual interpretations into moving pictures which will be featured on a music-video compilation DVD which I hope to release this autumn." Sepaking of the new Farpoint album, Frain adds "I've heard a few samples from their latest project, and all I can say is, I'm pulling out every trick on this one! Musically, it's their best ... and I'm working with their webmaster-genius, on some fine web-based eye-candy to accompany the new project."